We have all looked at art, at popular
icons or concepts of beauty and have questioned why and how we have
come to select certain subjects as admirable, beautiful, desirable,
etc. Judith Kindler takes on this question in this body of photography
“Don’t Hate Me Because I’m Beautiful.”
Playing with and referencing our culture, art and its icons, the
artist brings new meanings through humor, re-contextualizing, and
satire. All photographed in the artist’s studio in Seattle,
she plays with her models, back-dropping them with the starkness
of an empty or nearly empty space or contrasting with sets that
are more elaborate. Yet all maintain a simple focus and composition,
along with the psychological overtones of the imagery typical of
the artist’s oeuvre.
This oeuvre was described in 2004 by Bellevue Arts Museum ’s
Curator, Stefano Catalani, in “Defining Truth/ Judith Kindler
” as follows: “The composition of the photographs is
minimal, reduced to standing girls and young women in white delicate
clothing, often against an indefinite and blurred background. The
spatial perception here is blind, almost dimensionless, except for
the human figure. The white atmosphere is rarified, suspended, though
charged at times with symptoms of tension: A sudden gesture of embrace,
eye contact with the viewer, lifted hands, or eyes cast down. .
. Judith Kindler builds up the narrative and iconographic space…a
repertoire of symbols and seminal ideas projected out for readers
able to decipher.”
Kindler explains: “Different than my photo-based encaustic
work where I create layers of narrative through the addition of
encaustic, oils and inscribing, in this purely photographic work,
I create the narrative, through a combination of props at play with
the subjects. Through a feeling of documentation in the photographic
approach, I try to create a sense of gravity to the situations I
place the figure/s in, even when there is humor at play.
The photographs are printed with Ultrachrome K3 Archival Pigmented
Inks on Ultra- Premium Luster Photo Paper. The artist’s signature/mark
and edition number appear in the lower right hand corner of the
image.
The series of 36 photographs are each available in two
sizes: 60” X 40” – edition of 3 and 40“
X 26.67” – edition of 3 and all were created in 2009. |
